top of page
Higher Diploma in Interior Design
WEI JUN FA / 魏俊發
Graphic Design / Interior Design / Photoshop / Illustrator
大家好，我叫魏俊發，過去很長一段時間，我是一名平面設計師，喜歡跟顏色、字體、排版、視覺張力這些東西打交道。那段日子讓我學會了怎麼用畫面說故事，也培養了對美感的執著。 不過人生就是這樣，做著做著，心裡慢慢冒出另一個聲音：「能不能不只存在於平面裡？」於是，我開始接觸室內設計與空間設計。 說真的，從 2D 跨到 3D，那種感覺就像……原本在紙上畫一條線，現在真的可以走進那條線劃出來的空間裡。光線怎麼流動、材質怎麼對話、人怎麼在空間中移動——這些對我來說新鮮又迷人。 而我對自己的規劃也不只於此。接下來，我會進一步學習建築。沒錯，從平面、室內、空間，再到建築——我想一步一步看懂，一個想法是怎麼從一張草圖，變成真正可以觸碰、可以生活、可以感動人的結構。 雖然才剛踏上這段旅程，很多東西還在摸索，但我很期待把過去在平面設計累積的視覺語彙，帶進更立體、更真實的世界裡。
Hello，My name is Wei Junfa. For a long time, I worked as a graphic designer — I loved playing with colors, typography, layouts, and visual storytelling. That journey taught me how to tell stories through images and gave me a deep appreciation for aesthetics. But as life often goes, while doing all that, another voice slowly grew inside me: “Could I exist beyond just the flat surface?” So I started exploring interior design and spatial design. To be honest, moving from 2D to 3D feels a bit like… drawing a line on paper, and then suddenly being able to walk into the space that line creates. How light flows, how materials talk to each other, how people move through a space — all of this feels fresh and incredibly exciting to me. And I don’t plan to stop here. Next, I’ll be diving into architecture. Yes — from graphic design, to interiors, to spatial design, and then architecture. Step by step, I want to understand how an idea evolves from a rough sketch into a structure that you can touch, live in, and be moved by. I’m still at the very beginning of this journey, figuring things out as I go. But I’m truly looking forward to bringing all the visual language I’ve learned from graphic design into a more dimensional, more tangible world.
TAIPO LIBRARY / 大埔圖書館
在 AI 時代，未來的圖書館到底是什麼？ 在過去，圖書館是「獲取資訊的倉庫」。但在今天，AI 可以在一秒鐘內生成海量的資訊、虛假的歷史、沒有破綻的圖片。數位世界的特徵是「無摩擦、無重量、無時間（瞬間生成）」。 在其他地方，未來的圖書館可以定義為互動、體驗、交流的城市客廳，但在大埔舊警署這裡，我更傾向將其定義為『一本關於時間的實體巨著』——歲月的痕跡。 所以今天我們不是在大埔舊警署『建』一座圖書館，我們要『翻開』它。 「如果大埔舊警署是一本書，那麼時間，就是寫就這本書的墨水。」 地表空間保留了舊警署原始的建築語彙，它是向大眾敞開的、充滿活力的「當下時間」。 而地下空間則傾向思想與精神閱讀。地下空間不是一個場所，而是一種狀態——時間在這裡不再流逝，而是沉積。每一級階梯都是向內的下探，每一次下沉都是對表象的剝離。當喧囂被垣牆過濾，當光影在地底靜止，人便從「擁有時間」轉向「感受時間」。AI可以複製資訊，卻無法複製這種存在：一個人在寂靜中與自己相遇，在無窗的深處，讀懂那些被遺忘的篇章。
What is the future of the library in the age of AI? In the past, the library was a "warehouse for accessing information." But today, AI can generate vast amounts of information, fabricated histories, and flawless images in a single second. The digital world is characterized by "frictionlessness, weightlessness, timelessness (instant generation)." Elsewhere, the future library might be defined as an interactive, experiential, communicative urban living room. But here, at the Old Tai Po Police Station, I am inclined to define it as "a substantial tome about time"—the traces of years. So today, we are not "building" a library at the Old Tai Po Police Station; we are "opening" it. "If the Old Tai Po Police Station is a book, then time is the ink with which it is written." The ground level preserves the station's original architectural vocabulary. It is a vibrant "present time," open to the public. The underground space, then, leans toward thought and spiritual reading. The underground is not a place, but a state—where time no longer passes, but settles. Each step is an inward descent; each sinking strips away appearance. When noise is filtered by stone walls, when light and shadow freeze below, one shifts from "having time" to "feeling time." AI can replicate information, but never this existence: a person encountering themselves in silence, reading, in the windowless depths, the forgotten pages.
bottom of page