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Higher Diploma in Creative Design and Media
Visual Communication
NG KA YIU / 吳珈瑤
Graphic Design / Video Production / Photoshop / Illustrator / PM / PR
比起只專注作品本身，我更享受一個Project由構思到實行嘅整個過程，因此特別喜歡 PM 與 PR 相關工作。對我來說，設計是一種整理想法、建立連結和說故事的方法。我希望自己不只是一位設計學生，也能成為一個善於溝通、協調與推動事情發生的人。
Rather than focusing only on the final outcome, I enjoy the whole process of a project, from concept development to execution. This is why I am especially interested in project management and public relations. To me, design is a way of organizing ideas, building connections, and telling stories. I hope to be more than just a design student, but also someone who is good at communication, coordination, and making things happen.
Offline Reboot / 離線重啟
《OFFLINE REBOOT》是一個以「低成本旅行」與「情緒重啟」為核心的視覺傳達設計作品，透過 booklet、角色設計與旅遊資訊整理，重新想像年輕世代的旅行方式：旅行不一定代表高消費，也不需要密集打卡，而是可以用較少預算，在城市中慢慢行、慢慢感受，讓自己暫時離線，重新整理情緒與生活節奏。 本作品以高雄作為主要場景，因為高雄擁有海港、藝文空間與自然景觀並存的城市特質，亦有不少免費或低門檻景點，適合發展「低成本高享受」的旅行提案。 作品中的 mascot「MANDY」不只是可愛角色，更是旅程中的陪伴者與引導者；牠會教人精明規劃旅費、陪伴讀者發掘新地方，並提醒大家在旅途中慢慢放鬆，找回快樂與內在節奏。 整體視覺以高飽和色彩、粗黑線條、幾何版面與復古遊戲介面感 graphic 建構出鮮明而玩味的風格，讓旅遊資訊不只是功能性的內容，更成為一種具有情緒溫度與陪伴感的閱讀體驗。
OFFLINE REBOOT is a visual communication design project centered on the ideas of low-budget travel and emotional reboot. Through booklet design, mascot creation, and travel information curation, the project reimagines a way of traveling for young people today: travel does not have to mean high spending or a packed itinerary, but can instead become a slower and more mindful experience that allows people to temporarily disconnect from daily pressure and reconnect with their emotions. The project takes Kaohsiung as its main setting, as the city offers a unique combination of harbor views, cultural spaces, and natural scenery, along with many free or low-cost attractions that support the idea of “low cost, high enjoyment.” At the center of the project is the mascot MANDY, who serves not only as a cute visual character but also as a companion and guide throughout the journey. MANDY teaches travelers how to spend wisely, accompanies them in discovering new places, and reminds them to slow down, relax, and find joy again during the trip. Visually, the project adopts a bold and playful style with highly saturated colors, thick outlines, geometric layouts, and graphics inspired by retro game interfaces. In this way, travel information is transformed from purely functional content into a reading experience filled with emotion, personality, and a sense of companionship.
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